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The UK School of Floristry Takes Gold

 

JOSEPH  MASSIE

PRESENTS

THE UK SCHOOL OF FLORisTRY

CARNIVAL FLORAL COUTURE TAKES GOLD AT RHS TATTONPARK

 

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The UK School of Floristry is delighted to share that their exhibit :

The English Carnival won a GOLD MEDAL at RHS Tatton Park 2015

Designed by five time RHS Chelsea Gold Medal Winner Joseph Massie and students from the UK School of Floristry, the 5m x 2m floral installation is a vivid whirlwind of exciting colour, cheer and fantasy, combined with fabulous flowers and foliage to create a floral delight for the senses.

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"Working on The English Carnival was a great opportunity to test out our skills on a large scale design. It's not often you'd get the chance to work on something this fun, or this dynamic, so it was a real pleasure to be involved!" 
~ Jessica

Students from the Liverpool based School created three distinct Carnival Characters to embody their installation – the Entertainer, the Ring Master and the Confectioner, and these classic English Carnival characters are given a fresh and innovative floral make over ~ by wearing bespoke Floral Couture outfits. Each outfit takes inspiration from the energy of English Carnivals – from jackets made from Admission Tickets to Playing Card Catsuits, each look is created using exquisite flowers and foliage. These fabulous characters sit amongst a colourful Carnival environment, filled with ring toss, pop corn and other fun fair classics, to provide an entertaining and engaging floral display.

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The flowers and foliage utilized within the display are in part sponsored by the Schools long standing floral design suppliers – notably Anco Pure Vanda, Meijer Rose, Marginpar and PortaNova. The stand includes over 500 of the finest roses, used in combination with exotic Vanda Orchids, rare Gloriosa and luscious Hydrangea to create a truly breath taking visual treat. Through the Schools outstanding reputation, the students have access to study with the highest grade of fresh flowers and foliages.

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"My role in the exhibit was to help produce The Entertainer - each of our three characters had to be completely covered in botanical couture, and it was a really interesting, cool project to help design. I spent two days gluing playing cards into a playsuit form - it was certainly the first time I've ever done that! Working on the English Carnival was such fun, and it's a great opportunity to try something new and fun - plus working on site at RHS Tatton was such a buzz!" 
~ Clare

Achieving their very first medal at RHS Tatton Park, The English Carnival by the UK School of Floristry showcases the finest work from it’s students across several courses. The School itself caters for students looking for classes in Floral Art & Design at beginner, professional and advanced levels, providing a welcoming and friendly atmosphere in which to learn Floral Art & Design. Based in Aintree, Liverpool, the School is proud to attract students from far and wide – nationally and internationally.

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Previous Chelsea Flower Show Medal Winner Joseph Massie told us “The opportunity for our students to exhibit their work at RHS Tatton Park is a dream come true for them. The show is a wonderful opportunity to really stretch their creativity and technical skills by coming up with a truly incredible design, that we’re delighted to say, caught the eye of the judges, and the imagination of the public.”

Joseph Massie

 

EXHIBITOR CATEGORY : Floral Design, in the Floral Design Studio

STAND NUMBER : FD8

CONTACT EMAIL : joe@josephmassie.com

WEBSITE: www.ukschooloffloristry.com

Images of our exhibition can be obtained by contacting UKSOF at hello@ukschooloffloristry.com

 

Thank you to Joseph Massie and The UK School of Floristry for sharing this amazing experience with Floral.today and our viewers!

Congratulations on your gold award, we look forward to the exciting future the school and it’s students are bound to have.

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Featured Floral School, Floral Companies, Floral Education Month, Industry Events

University of Missouri

In today’s floral education climates you are bound to find fewer and fewer university funded Floral Design programs yet the University of Missouri – Columbia is keeping their floral program strong within the Division of Plant Sciences in Horticultural Landscape and Design degree programs. Within their 5 course program the students also get the valuable experience of running a fully operational store and event business, Tiger Garden, that is attached to the classroom.

This year the University of Missouri SAIFD Chapter has 4 designers participating at the prestigious American Institute of Floral Designers Symposium Student Design Contest in Denver so make sure to say hello and wish them luck for all of you going to Symposium this year!

YOU CAN FIND ALL THE CONTACT INFORMATION FOR THE University of Missouri  AT THE END OF THE ARTICLE

Photo Property of The University of Missouri

What advice do you have for designers looking to become a university floral educator or advisor?

I would tell any designers who are looking to become a university floral educator or advisor that, as an educator, you are never done learning. Take advantage of learning each and every day, whether that is from your students or other members in the floral community. Any opportunity that is available to you, use it to grow your floral knowledge. I also believe that to be a great educator, you need to know how to properly communicate with students and work with them. It is great to have floral knowledge, but you also need an education background.

Photo Property of The University of Missouri

What has been one of the most interesting floral topics you have taught so far at the University of Missouri?

One of the most interesting floral topics that we have taught would be unique personal pieces, including traditional corsages, fascinators, and contemporary bouquets.

Photo Property of The University of Missouri

Do you have a philosophy when it comes to floral education?

I believe that my floral education philosophy goes hand in hand with my teaching philosophy. We have to, as educators, reach out and help students see and reach attainable goals within the floral industry. I want students to be able to believe, dream and achieve and with teaching the right techniques and ideas, the possibilities will be endless for students. Education is always first in my mind. If students aren’t learning and growing, then you are doing nothing for them or yourself.

Photo Property of The University of Missouri

Who do you find are the most influential designers or outlets for young designers?

I believe that the most influential designers and outlets for young designers can be found anywhere. From following them on social media to volunteering in the workroom at symposium, I believe that you can find influence anywhere and everywhere you look.

Photo Property of The University of Missouri

How much support do university floral programs receive and do you think it is enough to insure a strong future for the floral industry?

I believe that our program receives a good amount of support by our college. When looking at the bigger picture, members of AIFD are very supportive of our program and are always willing to help. As long as the seasoned members of AIFD continue to help and be part of our program, then I believe our program will be at the University for another 100 years.

Photo Property of The University of Missouri

With our ever-changing industry, where do you see floral education heading in the next 10-15 years?

Within the next 10-15 years, I see floral education becoming even more diverse than it already is. Right now, we are learning from designers from around the world at symposium and other shows. Eventually, I think that we will start having more blogs that are showing more how to and allowing designers to be more open.

Photo Property of The University of Missouri

What are some of the best opportunities available to young designers?

In my opinion, some of the best opportunities that we can offer to young designers are already in place. From our introductory courses, the student run shop, to taking as many students as possible to AIFD National Symposium and by giving students the opportunities to go to design courses offered throughout the year by AIFD members. There are far more opportunities available than many of us realize, but these are several opportunities that we do our best to make possible for the young designers.

Photo Property of The University of Missouri

What do you think are some of the top floral educational advancements that have helped progress the industry?

Some of the top floral educational advancements that are helping progress the industry are those of social media. By allowing designers to showcase their talents and designs on social media and posting videos, it allows the younger generations to be able to have resources at their disposal.

Do you believe the US floral industry does enough to create interest and jobs for future designers?

As of right now, I believe the industry could do a little more to create interest. AIFD is not something that most people know of. I think that there are a lot of great programs, growers and designers out there that no one knows about because we are such a tight-knit community.

Photo Property of The University of Missouri

In your personal opinion what are some of the shortcomings in floral education that the industry should strive towards working on?

Some shortcomings that I believe the industry should shrive to work towards:

1) Getting younger people involved in the industry and help them to become successful.

2) We are going to have to work harder at showcasing the floral industry as an art and not so much as a hobby. Although social media is a way to spread good word about the industry, it also has the ability to make everything look so easy and of lesser value.

University of Missouri – Columbia and Tiger Garden

Contact Information:

Website:
University of Missouri – Columbia ~ missouri.edu
Tiger Garden ~ tigergarden.missouri.edu
Email: tigergarden@missouri.edu
Phone: 573.884.1191


Social Media
Facebook
Flickr

 

Photo Property of University of Missouri

University of Missouri SAIFD 2015 Student AIFD Symposium Competitors

 

Good luck to all those competing at this years AIFD Symposium and to the future of the University of Missouri – Columbia and Tiger Garden programs. It’s always great to see students getting exposed to the industry and professionals so one day they can be in the shoes of those they are exposed to.

Tomorrow is our last day of Floral Education Month!

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Feature Designer, Featured Floral School, Floral Companies, Floral Education Month, Industry Events

Matthew Landers Academy – Matthew Landers

From the day Joseph Massie introduced Matthew Lander and Floral.today to each other, we have been enjoying every second! Matthew has a wonderful passion for design along with a fun infectious personality. The Matthew Landers Academy may be young, being only established in July 2012, but it is one of the most on-trend and industry advancing academy’s offering courses to the industry today. Matthew Landers Academy is the largest Private Training Provider in Western Australia and has courses available for Hobbyist, Beginners, along with Industry and Advanced training courses.

Photo Property of Matthew Landers

Photo Property of Matthew Landers

YOU CAN FIND ALL THE CONTACT INFORMATION FOR MAtthew Landers and Matthew LAnders Academy AT THE END OF THE ARTICLE
Where have you found the greatest impact when teaching floral design, demonstrations or workshops?

The greatest impact for myself would be teaching techniques. There have been many occasions where intermediate or senior floral designers have come to us to further their skills and in fact have been poorly taught or self-taught. I believe our greatest impact is teaching thoroughly the correct use of the sundries and supplies that are designed and engineered for botanical product and our industry. I also feel we have impacted many Beginners who thought it would be ‘easy’. Teaching them that there is indeed training, skills and education that is required to become a Floral Designer.

What struggles have you found with teaching floral education to the public compared to professional designers?

To be honest, the public are generally better students. They’re keen to learn and listen to what you have to say. Floral Designers tend to have already made up their own mind and ‘know better’. The only real struggle for teaching the general public is the diversity in the classes. Our classes are open to anyone above the age of 16. You can imagine what it can be like to have 16 students all of different ages, cultural backgrounds and life experiences. Sometimes the banter between students needs to be stopped and the class is bought back to attention and the task at hand.

Photo Property of Matthew Landers

Photo Property of Matthew Landers

In your personal opinion what are some of the shortcomings in floral education that the industry should strive towards working on?

In Australia, this would definitely be the training package that is taught in Registered Training Organizations (RTO). If you wish to become a RTO, you must deliver the training package exactly as it is stated. 40-50% of what is in the Certificate III Training package is obsolete and would never be used in a 2015 commercial florist. I think the Training Package and the manner in which is is marked upon to deem someone ‘competent’ needs to be addressed in the future. We have chosen thus far, not to become an RTO because of not agreeing on what is to be taught. Our Industry Course has been developed to cover the crucial learning needed to enter the Industry, whether it be straight from school or later in life. There is also a strong oversight by commercial Florists when hiring, to look only at candidates who posses a Certificate. Some of the worlds best florists are not ‘qualified’, however their designs, speed and presentation far surpass the industry Standard. I know that more progressive business people, do indeed hire on the skills and standards of the candidate, not the piece of paper in a file. Again, with the current training package, even if the student is terrible, and RTO must pass them if they have ‘tried to complete the task’.

What do you do to keep your self-educated and on trend?

I do my best to attend all major worldwide competitions, conferences and summits each year. I also actively look weekly to what is trending on Social Media and in Fashion Blogs and Magazines to try and pre-empt the classes that will be required for my school on a particular technique. An example is, when Kokedama made a comeback in Harpers Bazaar in 2013 (then trickling to Blogs, Social Media etc.), I immediately scheduled a Kokedama workshop within the coming months. I also work closely with other educators, particular Joseph Massie of the UK School of Floristry. We often ‘compare notes’ as to the content of what we’re teaching and how it is being taught.

Photo Property of Matthew Landers

Photo Property of Matthew Landers

How would you say floral education differs in Australia than floral education in the rest of the world?

The Floristry Industry is unregulated in Australia. Therefore you do not ‘need’ to have a Certificate III, IV or Diploma to obtain work or run your own business. Therefore anyone can offer training, open a school or conduct workshops. This is good and bad. I feel it would be great if the was somewhat of a governing body, but not exactly ‘regulated’. For example, someone who completes a class at my school, it would be nice if they were able to sit exams and get ‘rated’ by a governing body for their skills (similar to AIFD). Australia follows multiple trends. European, Asian and American. This does make it a little more diverse with setting training plans. In the past, Australia has been heavily influenced by very traditional English Floral Design. Hence why this has become somewhat obsolete, as the younger generation (or what we call ‘our current customer’) wants products that are a lot more stylish and modern. The only thing that is really the same worldwide are the Principles and Elements of Design.

What floral topics do you feel in your personal opinion are either over taught or need to be focused on more?

I personally think the number one topic should be ‘How to maintain our Industry’. This is a luxury product in a climate with a future that is unknown. It’s all very well to teach techniques, designs and how to cost and market them effectively. But do those designs have a place in the future of our industry or are we focusing too much on a trend that will only last months? There is also a decline in the knowledge of Botanical names and Variety knowledge. There are too many people referring to things in our industry with little or no knowledge of their history or how they grow and should be cared for post-harvest. We should be referring to something like a Red Rose as a ‘Grand Prix Rose’ or an ‘Adrenaline Rose’ not just a ‘Long stemmed Red’. It is like the difference of seeing a Doctor. You pay more to see a specialist than you do to see a General Practitioner. Each Floral Designer should be striving to have the product knowledge of a ‘Specialist’ and charge accordingly.

Photo Property of Matthew Landers

Photo Property of Matthew Landers

How would you like to see floral education evolve over the next 5 years?

I would love to see a little more of a commitment in education moving forward. There is a difference in simply ‘delivering a course’ and ‘teaching a student’. To be honest, I think the dead wood that needs to be weeded out of the teachers in Australian Floristry Schools, will reach natural attrition within these years. Younger, more progressive teachers like myself are now seen to be far more successful than older generation, with perhaps more traditional teaching methods.

What do you hope your students take away from your training?

A little piece of my passion. I am incredibly dedicated and passionate about this Industry and also our craft. I try to go above and beyond with my students and always give them my 100%. I hope my students not only take away the skills we’re teaching them, but also some dedication and commitment to advance their skills and be more successful personally or professionally.

Photo Property of Matthew Landers

Photo Property of Matthew Landers

What do you think are some of the top floral educational advancements that have helped progress the industry?

I think the shining star in this would be Social Media. Instagram, Facebook, Blogs, Pinterest etc. This has enabled a product to go viral and become a worldwide phenomenon in the touch of a finger. If Beyoncé is wearing a Flower Crown, suddenly, everyone wants to wear a flower crown. Floral Designers are quick to criticise people working from home and also offering DIY on Blogs and Video Tutorial. I think the point here is missed. They’re promoting Flowers. People are engaged and loving flowers and Floral Design. Rather than being insecure, they should be proactive in their business and realizing there is perhaps another market they could tap into. Social Media has also allowed us to tap into what is trending in other parts of the world without having to wait day, weeks or months for a new book or magazine. You can monitor the success of what you’re producing and also the engagement with the audience. People aren’t shy to tell you what they think. There are many blogs that have wonderful, educational tips for florists and general public that will enable them to either make more informed buying choices, use different or learn new techniques and also forecast upcoming trends.

Of the floral educators around the world, who are your top 3 and why?

In no particular order.

Gregor Lersch – Germany : Gregor is like the Yves Saint Laurent of the Floristry Industry. He broke the rules, then re-wrote them. He did what everyone else was too scared to do. He educates with a level of passion and dedication that oozes out of every fibre of his being. A legend in our industry and a true inspiration.

Gregory Milner – Australia : Greg’s mother Marjorie Milner was a pioneer of education in Australia, starting Marjorie Milner College in Melbourne. Greg has taken this college from strength to strength. Greg is responsible for Australia having a lot of the education it does today. Along with a range of videos and books his passion is visible in each and every interaction.

Joseph Massie – England : Joe, similarly to myself started young and has achieved a lot. Joe is also what I consider the ‘new generation’. After his recent acquisition of the UK School of Floristry, I invited him to come to Australia to be a guest demonstrator and workshop tutor for my school in 4 Australian cities. Joe excelled on delivering ‘current’ and relevant information about the industry and its trends.

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Website: www.matthewlanders.com
Email: sales@matthewlanders.com
Phone: +61 8 9355 5369

Social Media

Facebook
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As a fresh breath into Floral Education, Floral.today looks forward to the day that we get to personally work with Matthew Landers and his forward thinking Matthew Landers Academy. Thank you to Matthew for taking the time to share with us an Australian perspective on the state of Floral Education and we look forward to the inspiring floral future he is working towards. Check out all the links above to stay in the know with all things Matthew Landers .

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Feature Designer, Featured Floral School, Floral Companies, Floral Education Month, Industry Events

College of Southern Nevada – Chieko Fukushima AIFD, CFD

Chieko Fukushima AIFD, CFD is the SAIFD Advisor and educator at the College of Southern Nevada and is striving to grow industry awareness for not just the public but also future floral design generations. Through contests, industry involvement and awareness, Chieko gives the full experience to her students for them to confidently go into floral industry careers.

Dustin 2

YOU CAN FIND ALL THE CONTACT INFORMATION FOR THE college of Southern nevada AT THE END OF THE ARTICLE
As a SAIFD Advisor, do think schools show enough support to SAIFD Chapters?

Our school has been gracious in financial support for travel expenses for those that participate in Student Design Competitions. I have took over CSN Floral Design Technology program in 2009 and advised the team of SAIFD that won the “Best of the Best” highest score of the school at Student Design Competition. Ever since, our SAIFD has won many awards and two of member were inducted into AIFD at Chicago and two were awarded CFD in 2014. I am showing actual proof to school administration that through demonstrating the methods and cultivate student skills, creating a mind set for their achievement.

Dustin 1

What advice do you have for professional floral designers looking to be advisors or floral educators?

As professional floral designers you need to advance consistently and reach out for new trends and upgrade your skills. Do not contend who you are, share your new knowledge with your students.

Dustin 6

With university level floral education, where do see most students focusing their future career goals?

They should not just be a professional floral designer employed by someone, students should focus to have and own established business ventures as florists, event companies, wedding consultant/planner and instructors.

What has been one of the most interesting floral topics you have taught so far in your career?

Every two years I  teach the subject “Creativity & Competition”, which I am very interested to bring out individual hidden talents from each students. I have deep satisfaction when I find one in students which gives them confident and strive toward their goals. I enjoy bringing out each students quality and develop their individual skills.

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Do you have a philosophy when it comes to floral education

My advice to all my student is to have “CREATIVE MINDS AND CHALLENGING SPIRITS”

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What major differences have you found when educating professional designers verses student designers?

I found so called professional designers show their arrogance and highly over confident that they know everything but they don’t. Some professional designer doesn’t share their knowledge. Their mentalities are so selfish, since they paid large sum of fee to learn, why should they have to share information to non-paying people. One of my old colleague was afraid to share anything due to lack of self-security. Student designer are so curious and wants to know everything to obtain new information and techniques.

With our ever-changing industry, how have you seen floral education change in the past 5-10 years?

I have owned a full service florist in California for 8 years and have attend all classes offered by FTD and Teleflora educational programs. I have noticed some trade shows just have a few professional’s showing off designs not sellable for florist. Some education requires you to scale down to encourage florist to make a profit. It’s nice to educate three different designs for upgrading for sale price.

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In your personal opinion what are some of the shortcomings in floral education that the industry should strive towards working on?

Local wholesalers and schools should get together to have more education for the general public and young students to introduce our Floral Industry. One of our Wholesaler sponsors the event “Art in Bloom”, allowing professionals, and students to design their inspiration from Paintings. Then the public judges for the People Choice Award.

When advising SAIFD students, what do you personally think are the most important ways to keep their interest for future careers in the industry?

I feel it’s the best idea to focus on the Floral Industry. Also, I believe that if the students are interested in this floral industry, I would encourage other subjects like business (Accounting), English (Public Speaking), Math ( business math), Information System ( Office, Excel, Power point), and photography.

Dustin 4

What do you think are some of the top floral educational advancements that have helped progress the industry?

PFDE is the best floral education advancement and all the AIFD National Symposium programs.

Each district chapter of FTD and Teleflora should have more educational programs.

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College of Southern Nevada

Website: www.csn.edu
Email: chieko.fukushima@csn.edu
Phone: (702) 651-4207

Course Detail

 

Good luck to Chieko and her students this year in their SAIFD contests and thank you again for sharing with us. Make sure to go support the Student American Institute of Floral Design Chapters in your area, as you will be supporting the future of our industry. You can find all the information about SAIFD HERE!

Till Next Time,

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Feature Designer, Featured Floral School, Floral Companies, Floral Education Month, Industry Events

Joseph Delarge -Seneca College / eco|stems

 One of the great hidden gems of Canadian floral education is hidden right in the heart of Toronto and that gems name is Joseph Delarge! Joseph is the owner of Toronto’s only environmentally and socially sustainable flower shop where you can find only local, organic and/or fair-trade flowers and plants. Along with his successful business Joseph is the Botany Instructor in the Floral Design Program at Seneca College also located in Toronto, Canada. 

Me making a handmade Red Dogwood wreath.

Me making a handmade Red Dogwood wreath.

YOU CAN FIND ALL THE CONTACT INFORMATION FOR THE FLORAL DESIGN INSTITUTE AT THE END OF THE ARTICLE
What major differences do you find when presenting floral education at a university level verses doing workshops at your shop, eco|stems?

In the workshops we hold at the shop our focus is more on the practical and allowing people to make something pretty to take home with them. We cover a bit of the theory specific to the design they’ve made, whether it’s a floral or plant design. The people coming to our in-store workshops are typically doing it for the experience often with a friend or family member.

I would encourage anyone looking to make a career of it to enroll at Seneca or similar. At the college it’s a bit more involved for the student. For 8 months the students have a full-time college schedule of design theory and practical, botany, art, sketching, customer service classes etc. that have different theory/practical ratios. My Botany class is 3 hours every week for 4 months. Each class is about 2/3 theory and 1/3 practical but the amount of theory covered ensures they are spending many hours outside of class studying. They’re there to learn for their future career. The education is intense and thorough!

Joseph Teaching a Workshop at The Toronto Botanical Garden

Joseph Teaching a Workshop at The Toronto Botanical Garden

What advice do you have for designers looking to become a floral educator or presenter?

I’d say it takes a diverse knowledge, experience and a certain level of expertise. I have a varied horticultural background. I grew up on a farm always in the forests, fields, veggie gardens and flower beds. Went to school for greenhouse horticulture at Niagara College and floral design at Seneca. I’ve worked in greenhouses, landscaping and in many flower shops. I’m always learning! To be a teacher you have to always be building on your knowledge and skills. And I’m always taking every opportunity I can get to be up in-front of a crowd talking about flowers and plants.

Rose-hip armature vase arrangement. No foam.

Rose-hip armature vase arrangement. No foam.

With our ever-changing industry, where do you hope see floral education heading in the next 5-10 years?

I see a glut of floral education programs that don’t even come close to preparing the students for a life in this industry. A lot of people in this industry don’t have a complete grasp of the basic skills it takes to be a well rounded florist. I hope to see a better and more intense focus on the basics. If we train people to be experts in this industry we’ll all be better off.

Photo Property of eco | stems

Photo Property of eco | stems

What do you think are some of the top floral educational advancements that have helped progress the industry?

The internet and all it brings has proven to be a great tool to connect people and learn from each other. It would have to be the top educational advancement.

Photo Property of eco | stems

Photo Property of eco | stems

As a floral designer and educator that values using local, organic and fair trade products, do ever find the industry lacking in the area of more natural and clean practices and the educational opportunities presenting them?

Sustainability within the floral industry is lacking to say the least! Although I think things are definitely improving, it’s so wasteful and harmful to people and the planet in a lot of areas. I started eco|stems to show that there are ways to do things differently. And I’ve proven that it can be done! I am always finding ways to inject a little sustainability into my lessons. It’s a challenge. Saying that, it’s our responsibility as an industry to do our part to lesson or even eliminate any negative impact we may have on the planet and the people we live with on it! You have to be the change you want to see in the world.

Veriflora and Rainforest Alliance fair-trade certifications.

Veriflora and Rainforest Alliance fair-trade certifications.

What has been one of the most interesting floral topics you have taught so far in your career?

Kokedama – a very cool form of Japanese Bonsai has been the most interesting thing to teach so far. Google it. I think you’ll see it become a big thing in plant design in the near future!

In your personal opinion what are some of the shortcomings in floral education that the industry should strive towards working on?

Nomenclature, wiring and taping, hand-tied bouquets, armatures, potted plants are a few specific areas of floristry that I feel a lot of florists have trouble with. There’s definitely room for improvement.

A nest like armature bouquet made for Canadian Florist Magazine in 2014

A nest like armature bouquet made for Canadian Florist Magazine in 2014

Do you have a philosophy when it comes to floral education?

No philosophy I live by. I just try to be a source of information and inspiration for my students. I hope that inspires them to do great things with flowers and plants!

eco | stem Everyday Design

eco | stem Everyday Design

If you could teach or educate the floral industry on any topic, what would your dream topic be?

My dream topic would have to be armatures! How to build them and how to work them into your designs. I have taught this subject a couple of times, it was fantastic! I’ve never been able to explore it in the detail that I would like to with a class.

Floral Art installation From Canada Blooms 2014 To The Theme "Wild".

Floral Art installation From Canada Blooms 2014 To The Theme “Wild”.

How do you think floral educators could advance the presence of the floral industry to the public through education?

Floral educators need to live and breathe flowers and plants! If you have a passion for it people will see and it will be infectious! It can be as simple as having workshops. It allows the public to see all of the work and skill that goes into the beauty we create. That works wonders! Make sure the information you are providing is accurate and up to date! Providing incomplete or inaccurate information is one of the easiest ways to turn people off of the floral industry. You need to always be learning especially if you are going to teach.


eco|stems

Website: ecostems.ca
Email: info@ecostems.ca
Phone: 416-214-6479
Workshops

Social Media
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Twitter
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Seneca College

Website: www.senecacollege.ca
Floral Program Website: www.senecacollege.ca/fulltime/FDN
Email: admissions@senecacollege.ca
Phone: (416) 491-5050 Ext. 22840

 

Thank you to Joseph for bringing a clean industry perspective to floral education, Floral.today looks forward to the next time we get to enjoy Joseph’s designs and industry perspectives. Make sure to follow Joseph with the links above for some truly beautiful design and to see if the 2 Semester Floral Program is for you.

Enjoy the Rest of Your Floral Education Month,

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Feature Designer, Featured Floral School, Floral Companies, Floral Education Month, Industry Events

Kathy Freeman-Hastings FDI – Floral Design Institute

With 12 years of floral education under her belt at the Floral Design Institute and a degree in fine arts, you can bet the Kathy Freeman-Hastings FDI is going to treat you to an amazing design course. You can expect a fun class atmosphere and a high level of expertise when taking her courses. Check out all the courses Kathy will be instructing this year and sign up today!

Floral Design Institute Director – Kathy Freeman-Hastings FDI

Floral Design Institute Director – Kathy Freeman-Hastings FDI

YOU CAN FIND ALL THE CONTACT INFORMATION FOR THE FLORAL DESIGN INSTITUTE AT THE END OF THE ARTICLE
What defines a Floral Design Institute educator?

A passion for floral design and the desire to share that passion!

Photo Property of Floral Design Institute

Photo Property of Floral Design Institute

What has been one of the most interesting floral topics you have taught so far in your career?

Foliage manipulation techniques and the importance of line in design.

What floral topics do you think are over taught or not taught enough in the floral industry?

Clear vase design and hand tied bouquets

Photo Property of Floral Design Institute

Photo Property of Floral Design Institute

What advice do you have for designers looking to become a floral educator or presenter?

Try to learn to talk about what you are doing and why as your hands are working – be clear and concise. It is also important to be able to connect with your audience/students: humor and eye contact.

In your personal opinion what are some of the shortcomings in floral education that the industry should strive towards working on?

Working on speed in designing.

Floral Design Institute Instructors

Floral Design Institute Instructors


Floral Design Institute

Website: www.floraldesigninstitute.com
Phone: 1-800-819-8089
        1-503-223-8089
Email: info@floraldesigninstitute.com

Social Media
Facebook
Twitter
Pinterest
Instagram
Youtube

Course Schedule

 

Floral.today is thankful to Kathy and all the Floral Design Institute Instructors that were able to find the time for our viewers and to take part in Floral Education Month. Check out all that Floral Design Institute has to offer with the links above and show your support for one of the industries top floral industry schools.

Feature Designer, Featured Floral School, Floral Companies, Floral Education Month, Industry Events

Beth Lane FDI – Floral Design Institute

 

Like many great designers Beth Lane FDI started out as a a delivery driver and has worked very hard to get where she is today, a Floral Design Institute Instructor. With over 35 years of experience throughout the industry Beth has gained experience and knowledge that has prepared her to be a great floral educator.

What defines a Floral Design Institute educator?

A person with a good work ethic. A team player – someone who not only has many years of floral knowledge and skill but someone who can be encouraging and is able to meet students where they’re at.

What has been one of the most interesting floral topics you have taught so far in your career?

I actually enjoy teaching about sympathy design. Some people are uncomfortable about this subject. It is a fact of life my perspective is that it is an “honor” to be part of the final tribute.

Photo Property of Floral Design Institute

Photo Property of Floral Design Institute

Do you have a philosophy when it comes to floral education?

For me, it is a privilege to be able to come along side our students. Many have dreamt of floral school for a very long time and we get to be part of that dream. Philosophy: Be kind and encourage.

What floral topics do you think are over taught or not taught enough in the floral industry?

Well… that’s top secret.

What difficulties do floral institutes face that floral shops and companies don’t face?

Floral schools have an ever changing population. We have students from literally all over the world. Communication is key in terms of speaking clearly, slowly and in understanding the students response.

What advice do you have for designers looking to become a floral educator or presenter?

You better like people! We ALL bring something to the table. Teachers must embrace the differences.

What do you think are some of the top floral educational advancements that have helped progress the industry?

Internet and specifically social media is huge in terms of networking with other designers in and outside of the country. The awareness and sharing of new things and techniques is but a click away.

How do you believe the US could increase it’s industry awareness to attract younger designers?

I want to see flowers at the Oscars, Golden Globes, Emmy, and SAG. At the ceremonies, not just the parties…more visibility overall.

Floral Design Institute Instructors

Floral Design Institute Instructors

Floral Design Institute

Website: www.floraldesigninstitute.com
Phone: 1-800-819-8089
        1-503-223-8089
Email: info@floraldesigninstitute.com

Social Media
Facebook
Twitter
Pinterest
Instagram
Youtube

Course Schedule

 

Thank you to Beth for taking dome time for Floral Education Month. You can contact the Floral Design Institute for all Beth’s course details.

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Feature Designer, Featured Floral School, Floral Companies, Floral Education Month, Industry Events

Callie DeWolf AIFD, CFD, FDI – Floral Design Institute

Floral Design Institute Instrutor – Callie DeWolf AIFD, CFD, FDI

Floral Design Institute Instrutor – Callie DeWolf AIFD, CFD, FDI

Callie DeWolf AIFD, CFD, FDI went from a student in 2006 then transitioned and moved to portland to work for the Floral Design Institute. Callie instructs a wide variety of courses ranging from basic, advance and specialty courses, being a well round educator and designer. Make sure to visit the link below to sign up for one of Callie’s fun filled classes.

 

YOU CAN FIND ALL THE CONTACT INFORMATION FOR THE FLORAL DESIGN INSTITUTE AT THE END OF THE ARTICLE
What defines a Floral Design Institute educator?

Floral Design Institute instructors are professional, caring, and passionate people, who bring their extensive knowledge and understanding of the industry to their students in and fun and approachable way.

What has been one of the most interesting floral topics you have taught so far in your career?

This is a tough one for me as each class brings new challenges and excitement. I would have to say that Large Scale is the most fun and interesting in the fact that there are so many ways to create a mechanically correct structure that supports a grad and awe inspiring design. Then I would have to say designing for completion and evaluation as this is such a different way of designing, it forces not only the designers to think differently, but also pushes us as teachers to teach in a different manor as the outcome of these designs is much different than for a customer.

Second would have to be basic floral design. When I first began to teach this subject it pushed me to find words for why I do what I do. Yes, I can make a beautiful hand tie bouquet, but how do you begin to verbalize that to a student who is in the virtual classroom. This was a wonderful challenge in the fact that it not only brought (and continues to bring) understanding to my students but also helped me to form a deeper understanding of the design process.

Do you have a philosophy when it comes to floral education?

Going to school can be stressful, especially when working through a distance learning program as so many FDI students are. In moments of stress or self-doubt I tell my students “Breathe deep and enjoy the flowers”.

Because really, the flowers are why we do what we do. The rest will fall into place in time; one just has to enjoy the process. J

Photo Property of Floral Design Institute

Photo Property of Floral Design Institute

With our ever-changing industry, where do you see floral education heading in the next 10-15 years?

With flowers becoming a more and more popular art form, finding new and innovative ways to educate will be essential. I foresee a greater demand for supplemental education, focused classes that discuss a certain aspect of design or the industry; a kind of build your own education if you will. Of course I think there will be a greater push towards online education. Which we are already seeing, and with that comes some unique challenges. How will we ensure quality education without a classroom? Technology will certainly be a large player in this shift. This is and will be an exciting time; the future of floral education is very bright.

 What floral topics do you think are over taught or not taught enough in the floral industry?

It is difficult to say what is over taught or under taught. If we look at just the design aspect, a strong foundation is needed to succeed with any medium, so this cannot be taught enough. Having a firm understanding of the elements and principles of design is essential. Our industry is always changing, and having that strong foundation to build upon will allow designers to evolve and stay current.

What difficulties do floral institutes face that floral shops and companies don’t face?

The challenges that institutions face is really in the classroom; whether it is in person or through distance learning, making sure that each and every students needs are being met and all learning styles are addressed with each lesson. Teachers must be able to change and adapt to the abilities and needs of each student, ensuring comprehension and long term understanding, making sure that the students have all the necessary tools and knowledge for success in a floral career.

Photo Property of Floral Design Institute

Photo Property of Floral Design Institute

What advice do you have for designers looking to become a floral educator or presenter?

Get to know yourself and your style. Have fun with this, because having a solid understanding of who you are is very important in maintaining a strong consistent educational voice.

What do you think are some of the top floral educational advancements that have helped progress the industry?

The first one would have to be Floral Design Institute’s Distance Learning program—giggle; my bias had to come out somewhere. We have given students another option for their floral studies, while still maintaining all of the hands on training and feedback that they need in order to learn and grow as a designer. Graduates from our distance learning programs go on to very successful careers, which can only help to strengthen the floral industry as a whole. Besides that, we as floral designers have wonderful jobs, in the fact that there are always new products to play with, containers, ribbons, jewels, and of curse flowers, each of these is an advancement—maybe not a big one—but one that contributes and as a whole pushes us forward.

How do you believe the US could increase it’s industry awareness to attract younger designers?

Being a floral designer is glamorous; flowers are sexy; but how do we sell that to students or even potential students? I firmly believe that selling the art and the luxury of flowers is where we should begin. This comes down to strategic marketing of ones skills and artistic talents. How? A strong web presents is vital; not only with social media, but with blogs, and a well-designed user friendly website because this is where that younger demographic lives. By embracing technology and utilizing this to our fullest extent, we can capture the attention of younger designers and create a strong awareness for ourselves and the industry.

In your personal opinion what are some of the shortcomings in floral education that the industry should strive towards working on?

Floral institutions are not just for beginning education, they are your creative resource with endless possibilities and opportunities for every aspect of the floral industry. Creating strong working relationships between everyone is what will maintain our industry and keep us growing.

Floral Design Institute Instructors

Floral Design Institute Instructors

Floral Design Institute

Website: www.floraldesigninstitute.com
Phone: 1-800-819-8089
        1-503-223-8089
Email: info@floraldesigninstitute.com

Social Media
Facebook
Twitter
Pinterest
Instagram
Youtube

Course Schedule

 

Thanks to Callie for give us her point of view on floral education! Floral.today enjoys watching Callie’s personal Instagram as she fills up the world with beautiful floral pictures and design.

Stay Tuned,

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Feature Designer, Featured Floral School, Floral Companies, Floral Education Month, Industry Events

David Kesler AIFD, PFCI, FDI – Floral Design Institute

From business to design David Kesler AIFD, PFCI, FDI of the Floral Design Institute is here for you! Some of the topics David is known for at the Floral Design Institute range from marketing and business to advance design skills and techniques. Just like his wife, Leanne Kesler AIFD, PFCI, FDI, David hosts a large variety of knowledge and extensive experience from years of involvement in our industry, so you know your in for a one of a kind learning adventure.

YOU CAN FIND ALL THE CONTACT INFORMATION FOR THE FLORAL DESIGN INSTITUTE AT THE END OF THE ARTICLE
Floral Design Institute Director – David Kesler AIFD, PFCI, FDI

Floral Design Institute Director – David Kesler AIFD, PFCI, FDI

 

What defines a Floral Design Institute educator?

Floral Design Institute Instructors are talented and experienced in Floral Design. They are skilled in teaching methods and understanding of differing learning styles. Most importantly they are humble in their abilities, compassionate and able to encourage students to achieve the highest level of their abilities.

What has been one of the most interesting floral topics you have taught so far in your career?

The Floral Entrepreneurs’ Weekend; sixteen hours of the business of flowers, strategy, planning, site location, marketing, and finance, covering everything from cash flow spreadsheets to website design. It is such a joy to see the excitement, the entrepreneurial energy and the amazing new business ideas. We are going to see wonderful new floral businesses in the coming decade.

Do you have a philosophy when it comes to floral education?

You do not have to be a great designer to be a great teacher, but you must be a great teacher, “good-enough” is a disservice to the student. The ability to teach is both a gift and a burden of responsibility. Those who teach must first be insatiable students.

With our ever-changing industry, where do you see floral education heading in the next 10-15 years?

I see an increased importance placed on a strong foundation of floral design education. There will be an intensified value and demand for Floral Design Certification from premier schools offering substantive training. Training will remain hands-on, but will be primarily online / digital and much faster paced.

What floral topics do you think are over taught or not taught enough in the floral industry?

Over-taught; cookie-cutter, formulaic, design demonstrations

Under-taught; floral design basics, theory, mechanics & engineering, techniques, care & handling.

What difficulties do floral institutes face that floral shops and companies don’t face?

The easy answer is “governmental regulations”. However, I also believe that schools need to be licensed and regulated. There needs to be guidelines and accountability. But, less paperwork would be nice.

What advice do you have for designers looking to become a floral educator or presenter?

You must love to teach more than you love to design. You must want to share more than you want to create. You must learn to design and speak at the same time, and you must be humble.

What do you think are some of the top floral educational advancements that have helped progress the industry?

No question, technology. The ability to instantly create, share and critique anywhere in the world.

How do you believe the US could increase its industry awareness to attract younger designers?

Be nice to new designers; encourage, promote and celebrate them. And yes, a living wage is important.

In your personal opinion what are some of the shortcomings in floral education that the industry should strive towards working on?

Too many in the industry are clinging to the status quo. We must seek out, welcome and embrace change.

Floral Design Institute Instructors

Floral Design Institute Instructors


Floral Design Institute

Website: www.floraldesigninstitute.com
Phone: 1-800-819-8089
        1-503-223-8089
Email: info@floraldesigninstitute.com

Social Media
Facebook
Twitter
Pinterest
Instagram
Youtube

Course Schedule

 

Thank you to David for taking the time for Floral.today and Education Month! We look forward to seeing David and the Floral Design Institute at this years AIFD Symposium Partners Expo, July 1st!

Join us tomorrow for the rest of the amazing Floral Design Institute Team,

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Feature Designer, Featured Floral School, Floral Companies, Floral Education Month, Industry Events

Leanne Kesler AIFD, PFCI, FDI – Floral Design Institute

 

For the whole weekend we are bringing you one of the most recognized and loved floral school in the United States, the Floral Design Institute! Floral.today is starting off the weekend with the directors, Leanne Kesler AIFD, PFCI, FDI and David Kesler AIFD, PFCI, FDI and then featuring all their amazing educators throughout Sunday. So sit back and enjoy the passion these wonderful educators have to share with you for Floral Education Month!

YOU CAN FIND ALL THE CONTACT INFORMATION FOR THE FLORAL DESIGN INSTITUTE AT THE END OF THE ARTICLE
Floral Design Institute Director - Leann Kessler AIFD, PFCI, FDI

Floral Design Institute Director – Leanne Kesler AIFD, PFCI, FDI

What defines a Floral Design Institute educator?

A Floral Design Institute educator is a talented designer with the ability to verbalize articulately the techniques, mechanics, elements and principles of design. They also have a deep understanding of learning styles and how to teach to each successfully.

What has been one of the most interesting floral topics you have taught so far in your career?

I would have to say the Wedding Floral Specialist Course is a favorite but, the Designing for Evaluation and Competition has been the most interesting by far. Designed for skilled floral artists, this class brings an amazing creative energy to the Learning Center. Every time I have taught this class I have come away with a new thought, concept or technique to add to my own skill library and pass on to future students.

Do you have a philosophy when it comes to floral education?

I believe floral education must be presented in three ways – students must hear the lesson, read the lesson and see the lesson demonstrated. Understanding and mastery of the skill is achieved when the student is able to finish the cycle by presenting the material to the instructor in all three formats – explaining the concept verbally, writing out the information and creating the design.

On a deeper note: I believe floral education begins at an early age with the first blooming weed pulled from the garden and continues through life. Floral education ends when the soul begins to die.

With our ever-changing industry, where do you see floral education heading in the next 10-15 years?

I see the need for focused, intense instruction on a precise need. It may be simply hand tied bouquets mastered by the street corner or grocery store florist or focused instruction on the hand work of corsages and boutonnieres. As with all things, specialization has become the key to success.

I also see the need for on-demand, specialized, on-line education. We have addressed this with our Flower Lovers Club. These members have 24-7 access to five private educational libraries and streamlined access to a Floral Design Institute floral specialist when they have a question.

What floral topics do you think are over taught or not taught enough in the floral industry?

I don’t think anything is over-taught in our industry. There really can’t be too much education. Under-taught would have to be the basics – it breaks my heart to see fabulous creative designs fail due to poor mechanics and/or poor care and handling practices.

What difficulties do floral institutes face that floral shops and companies don’t face?

That would have to be government regulations. Meeting the requirements of the Department of Education within the realm of servicing the needs of our floral industry can be quite challenging and an exercise in patience.

What advice do you have for designers looking to become a floral educator or presenter?

Attend every seminar and school you possibly can. Determine what is missing and what you can do better… then do it! When preparing to be a school owner, I visited European schools, studied with many floral artists and read every book I could get my hands on. Then, when I saw what areas were not being fully provided for, that is where we focused. I can confidently say, our Basic and Advanced programs to become a Certified Floral Designer are the best in the world.

On a side note, as you prepare to teach, it helps to verbalize what you are doing as you create an arrangement. Your co-workers may think you are a little weird but…oh, well!

What do you think are some of the top floral educational advancements that have helped progress the industry?

Technology is king. We now have access to information from anywhere in the world at anytime. Second would be the ease of transportation. Flowers come to you from anywhere and you can go to flowers anywhere. That means you can go study anywhere – How cool is that?!?!?!

How do you believe the US could increase it’s industry awareness to attract younger designers?

Go to them. Don’t wait for them to come to you. Reach out in both the physical and virtual worlds. Visit their studios and celebrate their successes. Join them in the social world and see what has them excited.

In your personal opinion what are some of the shortcomings in floral education that the industry should strive towards working on?

The biggest shortcoming in our industry is not just education but the industry as a whole. We’ve forgotten how fun it is to be a florist. We’ve forgotten to focus on what we can do. We’ve forgotten we are in charge of our business. We’ve forgotten to put ourselves first. We have become an industry of reaction rather than taking proactive steps forward.

Open your eyes to all there is. Choose to set your boundaries and enjoy the privilege of working with fresh cut flowers every day.

Floral Design Institute Instructors

Floral Design Institute Instructors

Floral Design Institute

Website: www.floraldesigninstitute.com
Phone: 1-800-819-8089
        1-503-223-8089
Email: info@floraldesigninstitute.com

Social Media
Facebook
Twitter
Pinterest
Instagram
Youtube

Course Schedule

Huge thanks to Leanne for taking the time to share her passion for floral education with us and all the Floral Design Institute educators that have yet to come. Make sure to stop by the Floral Design Institute both at this years AIFD Symposium Partners Expo and to check out all the fantastic floral courses they offer.

Till Next Time,

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